Triple J's Richard Kingsmill, catches up with Daniel Johns of silverchair and visits the 'Neon Ballroom', the Newcastle band's 3rd album which is already receiving international critical acclaim...

How did you feel after recording your latest album Neon Ballroom?

After we finished Neon Ballroom I really wanted to play again, whereas at the end of the Freak Show tours and stuff, I was sick of playing and really didn't want to play for a about a year. But after Neon Ballroom just wanted to get back to a stage... I was really enthusiastic about playing live again. So I think it was the perfect break.

And that enthusiasm came once you finished the album? The new album?

Yes, definitely, as soon as we started rehearsing and they sounded good it was like, yeah, okay cool lets do it.

When did you finish recording Neon Ballroom?

Probably about August I think, we recorded for about 6 weeks in July and then we did mixing later in the year in LA.

Have you still got the same excitement about the album? You said when you came out of the studio you were feeling good about it... how do you feel now about six months on from that?

Yeah I still really like it. I had a really clear picture of what I wanted to do in the studio this time around, so I'm really happy that it was documented and that it came out exactly how I pictured it.

"I just wanted to do an album, which, just really did everything differently. I just wanted to approach everything in a different way".

And what did you picture before hand?

I just wanted to do an album, which, just really did everything differently. I just wanted to approach everything in a different way. I approached the lyrics a lot differently, I wrote most of the lyrics in a poetic form first, then I wrote music around the words, and then made them more lyrical as time went by. In the past we've done music first and then wrote lyrics over the top. I also wanted to use a lot of orchestration, lots of different instruments, make it sound really kind of authentic and traditional ballroom sounding... but on the other hand I wanted to use some really futuristic sounds and kind of combine the two.

And that’s hence the title Neon Ballroom?

Exactly. There are a few songs that are in-between, like 'Do You Feel the Same' and 'Point of View'. They are, kind of, straighter rock songs because I didn't want to totally alienate people.

What percentage do you reckon is old silverchair on this new album?

I wanted to really keep what I thought were the best elements of silverchair. Like the first two silverchair albums I really liked, they sounded really fresh and energetic, it didn't sound like we were, you know, bitter about the industry or any thing... it just sounded like we just wanted to let out frustration through music or whatever. It just sounded really real, and I wanted to keep that. But in terms of actual musical style, I think there are only about 3 or 4 songs, which you could actually say 'yeah that sounds like silverchair'.

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© 1999 ABC

+ Interview with Daniel Johns
+ Interview with Ben Gillies
+ Interview with Chris Joannou
+ Interview with Daniel, Ben & Chris
+ Ben Gillies talks about "No Associaton"
+ Daniel John`s talks about "Freak"
+ Daniel John`s talks about "The Door"
+ Daniel John`s talks about "Abuse Me"
+ Ben Gillies talks about "Lie To Me"
+ Ben Gillies talks about "Slave"
+ Daniel Johns talks about "Cemetery"
+ Ben Gillies talks about "Roses"
+ Daniel Johns talks about "Pop Song For Us Rejects"
+ Daniel Johns talks about "Learn To Hate"
+ Ben Gillies talks about "Petrol & Chlorine"
+ Ben Gillies talks about "Nobody Came"
+ Ben Gillies talks about "The Closing"

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